Notes by David Joyner. (No claim to completeness.)
Position 8.1: From W. Lombardy-R. Fischer, US Championship (see also lesson 6).
In Forsyth notation:
8/pp4pp4k3/3rPp2/1Pr4P/2B1KPP1/1P6/4R3
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Black to play and win. |
1. ... Rxc3! 2. bxc3 Rxe5+ 3. Kd2 Rxe1 4. Kxe1 Kd5 (Black king is better placed and more active.) 5. Kd2 Kc4 6. h5 b6 (Black works on getting an outside passed pawn.) 7. Kc2 g5 8. h6 f4 (Black locks up the kingside.) 9. g4 a5 10. bxa5 bxa5 and Black's outside passed pawn deflects the White king long enough to win the kingside pawn.
Position 8.2: From Topalov-Kasparov
In Forsyth notation:
1r4r1/8/p3p3/P3PpRp/1BpP1P1P/1kP5/4K3/8
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1. ... Rxg5 2. fxg5 Rxb4 3. cxb4 c3 4. g6 c2 5. g7 c1=Q 6. g8=Q Qc4+ 7. Ke3 Kc3 8. Qd8 Qd3+ 9. Qf4 Qd2+ 10. Kf3 Qd1+ 11. Ke3 Qg2+ 12. Ke2 Qg2+ 13. Ke3 f4+ 14. Kxf4 Kd3 15. Qg5 Qf2#
Position 8.3: Famous Richard Reti study, 1921
In Forsyth notation:
7K/8/k1P5/7p/8/8/8/8
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1. Kg7 h4 2. Kf6 Kb6 3. Ke5 and white draws.
In Forsyth notation:
8/3pkP2/8/1pP4P/5P1p/7K/6PP/8
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This is an amazing problem at first and second sight! Looks absolutely hopeless for white!
1. Kg4 b4 (... Kxf7 now or the next move allows the white king to reach the square of the passed black b-pawn) 2. Kf5 b3 3. Kg6 b2 4. Kg7 b1=Q 5. f8=Q+ Ke6 6. Qd6+ Kf5 7. Qg6+ and white wins Blacks queen.
Position 8.5: Studenski study 1939
In Forsyth notation:
8/8/Pk6/1P6/4p2p/8/8/6K1Rule of Quadrant: If two pawns form a square to back rank then king can't stop both pawns.
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In this following slight variation, Black doesn't win since the rule of the quadrant isn't satisfies.
In Forsyth notation:
8/8/Pk6/1P2p2p/8/8/8/6K1
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Position 8.6: Stolz-Nimzovich, 18??
In Forsyth notation:
8/8/8/1P2kp2/P2p2p1/6P1/3K4/8
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1 ... f4 2 gxf4+ Kd6! and Black wins due to the rule of quadrant.
Position 8.7: Study by Duras, 1905
In Forsyth notation:
8/6p1/7k/8/1K6/8/1P6/8
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1 Kc5! (better than 1 Kc4 since then Black can try to swing his king over to the b-file with an extra tempo) g5 2 b4 g4 3 Kd4 Kg5 4 b5 g3 5 Ke3 Kg4 6 b6 Kh3 7 b7 g2 8 Kf2 Kh2 9 b8=Q+ and white wins.
Position 8.8: Grigoriev study (one of GM Henley's favorite composers)
In Forsyth notation:
5k2/8/8/p7/P4p2/1P1K4/8
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1 b4 Ke7 2 b5 Kd6 3 Ke2 Ke6! 4 Kf3 Ke5 5 Kg4 Ke4 6 b6 f3 7 Kg3 Ke3 8 b7 f2 9 b8=Q f1=Q 10 Qe5+ Kd2 11 Qxa5+ Kd1 12 Qd5+ Kd1 13 Qc5+ Kc1 14 Qd4+ and white trades queens and wins.
Position 8.9: Ivanov study, 1969 In this amazing study, the Black king has no saving moves!
In Forsyth notation:
8/8/1p4p1/2p5/4p2k/8/K5P1/8
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1. g3+ Kg5 2. cxb6 e3 3. b7 e2 4. b8=Q e1=Q 5. Qf4+ Kh5 6. Qh4#
1. g3+ Kh5 2. c6 e3 3. c7 e2 4. c8=Q e1=Q 5. Qh3+ Kg5 Qh4+ Kf5 g4+! and which wins the Black queen by a discovery.
Position 8.10: Dobias study, 1926. "Elbowing out the enemy king."
In Forsyth notation:
8/8/6p1/1k6/4K3/8/5P2/8
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1. f4 Kc4 2. Ke5 Kc3 3. Kf6 Ke4 and draw.
1. Kd4! Kc6 2. Ke5 Kd7 3. Kf6 and white wins.
1. Kd4! Kc6 2. Ke5 Kc5 3. f4 Kc4 4. Kf6 and white wins.
Position 8.11: Moravec study, 1952. White is worried Black will eat up his d-pawn then promote his c-pawn and win.
In Forsyth notation:
8/5k1K/8/8/2p5/8/3P4/8
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1 Kh8 Ke6 2 Kg7 Ke5 3 Kf6 Ke4 4 Ke6 and white can draw.
Position 8.12: Ademson study, 1915. This study shows the necessity of elbowing out the king and calculating long variations.
In Forsyth notation:
2K5/k7/7p/8/8/8/6P1/8
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Position 8.13: Grigoriev study. This study illustrates a queen skewer after promotion.
In Forsyth notation:
8/8/8/1p6/1P6/3P1k2/3K4/8
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Position 8.14: Grigoriev study. This study also illustrates a queen skewer after promotion.
In Forsyth notation:
8/1p6/8/k7/8/3K4/5P2/8
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1. Kd4 b5 2. f4 b4 3. f5 b3 4. Kc3 Ka3 5. f6 b3 6. f7 b1=Q 7. f8=Q+ and white wins!
Position 8.15: Ljubojevic-Browne, 1972
In Forsyth notation:
8/5p2/2k5/K7/8/1P6/8/8
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But as in the last Grigoriev study (with colors reversed), 1. ... Kd5! wins.
Position 8.16: Grigoriev study. An exceptional composition showing check and skewer.
In Forsyth notation:
8/8/4K3/p4p2/5P2/3P4/8/4k3
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1. Kd5 (white moves into the square of the black pased pawn so Black tries to create another one by capturing Whites f-pawn) Kd2 2. Kc4 Ke3 3. d4 Kxf4 4. d5 Ke5 5. Kc5 f4 (... a4 6. d6 Ke6 7. Kc6 a3 8. d7 a2 9. d8=Q a1=Q 10. Qe8+ and skewer!) 6. d6 Ke6 Kc6 f3 d7 f2 d8=Q f1=Q 10. Qe8+ and white wins the black queen due to a skewer.
Position 8.17: Katsnelson study, 1972
(Similar in theme to a study we've seen proviously.)
In Forsyth notation:
8/2K5/8/8/7p/8/6PP/5k2
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Position 8.18: Tal-Djuresevic, 1958. Tal, known for his tacttical brilliance, shows his endgame mastery in this example.
In Forsyth notation:
4k3/5pp1/p3p2p/1p6/5P2/P7/1PP3PP/2K5
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Position 8.19: Larsen-Gligorich, 1956. At this time, Larsen was probably the best non-Russian chess player in the world.
In Forsyth notation:
R4rk1/5pp1/5q1p/1p1Qp3/8/1B6/1PP2bPP/5K2
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1. Qxf7+! Qxf7 2. Bxf7+ Kxf7 3. Rxf8+ Kxf8 4. Kxf2 Ke7 5. Ke3 Kd6 6. Ke4 b4 7. c3 b3! 8. c4 g6 9. g4 h5 (9. g5 h4! is not as good...) 10. gxh5 gxh5 11. h4 Kc6! 12. Kxe5 Kc5 13. Kf5! Kd4 14. Kf4! Kxc4 15. Ke4! and white queens first and wins.
Solve the following problem.
In Forsyth notation:
2k5/6pp/pp6/2p5/1pR4P/P7/5PPK/3r4
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What if, after Black played 29. ... Rd5, play continued 30. bxc5 Rxc5 31. Rxc5 bxc5? Analyze this position. Idea: Does Black play to d6 or to b5?
In Forsyth notation:
2k5/6pp/p7/2p5/7P/P7/5PPK/8
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() White to move. |
IMHO, Black should play to d6 or e6 and hold his position. It looks drawn to me.